ecoartnetwork

Representing Uncertainty Who: Academics at KCL and artists from the wider community When: Tuesday 2 July 2013, 5:00-9:00 pm Where: Pyramid Room, Strand Campus, King’s College London TippingPoint, in partnership with the King’s Cultural Institute, is going to be holding a series of workshops that brings together academics from King’s College London with artists [...]
Tue, Jun 18, 2013 8:30:00 AM, Continue reading at the source
Rob Hopkins, one of the founders of the Transition Town movement, is giving the RTPI’s Geddes Lecture on Thursday evening this week in Edinburgh.  On the Friday morning (10.00-12.30, 21 June) he’s been invited by Transition Scotland, Transition Edinburgh and the University of Edinburgh’s Sustainability Office to do an open [...]
Mon, Jun 17, 2013 12:02:00 PM, Continue reading at the source
It is one month since the work for Fish Story Memphis was completed. The experience was exciting, fun, challenging and educative. It was intended as a bioregional scaling up from Ghost Nets.As I anticipated, I came back from New York to Maine after Memphis and had a dramatic Chronic Fatigue [...]
Mon, Jun 10, 2013 7:56:00 PM, Continue reading at the source
I am pleased to share the public webcast from Fish Story Memphis from: May 11, 2013, “Connecting the River Dots."Connecting the River Dots was performed with the artists Ruth Hardinger and Eve Andre Laramee, the curator Yvonne Senouf of MELD, Dr. Eugene Turner and myself from the Memphis College [...]
Wed, Jun 05, 2013 12:30:00 AM, Continue reading at the source

 

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Eve Andree Laramee, Museum of Modern Art, Rio de Janiero

Two videos that advocate for a nuclear-free future by Eve Andree Laramee will be presented in the Uranium Film Festival at the Museum of Modern Art in Rio de Janiero. Laramee’s videos will be presented in the experimental animation category: Burial at Los Alamos, exploring the ecologial and environmental legacy of research and development of nuclear weapons in Northern New Mexico; and Uranium Decay, in response to the ongoing Fukushima-Daiichi nuclear reactor triple meltdown. The festival opens on June 28 with Peter Greenaways film, Atomic Bombs on the Planet Earth, and runs through July 14, 2012. The films will then travel to Germany and to India.

Program: http://www.uraniofestival.org/index.php/en/

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Context for an ecoart Unconference

As I reflect on the underlying why of all of this:

Plenty has been said about the big changes going on globally: climate change, mass species extinction, peak oil, peak topsoil, peak water, etc. and the apparent incapacity of our current decision-making bodies to deal with any of this. Our civilization is clearly ripe for a large shift in paradigm.

One of the things that people often seem to forget when it comes to sustainability, is that unsustainable means that it can’t continue. Human populations that can’t figure out how to live within the carrying capacity of their environment will inevitably decline until they can.

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Restoration Ecology by Richard J. Hobbs

Restoration Ecology

Restoration ecology is the science underpinning the practice of repairing damaged ecosystems. Restoration ecology has developed rapidly over the latter part of the twentieth century, drawing its concepts and approaches from an array of sources, including ecology,
conservation biology, and environmental engineering. We are faced with an increasing legacy
of ecosystems that have been damaged by past and present activities, and it is increasingly
recognized that, in many situations, successful conservation management will need to include
some restoration. This may take many different forms, such as the reintroduction of particular species, removal of problem species such as weeds or feral animals, or the reinstatement of particular disturbance regimes (including fire and flood regimes).

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Reclamation, Remediation, Restoration

Can anyone distinguish, define, or refer me to a website that does, between
these terms, referring to work on the land?

Reclamation
Remediation
Restoration

Robt Smithson, and now Nancy Holt and other earthworks/land artists, are
increasingly being given credibility for ecological consciousness by having
performed land ‘reclamation.’ But, on the contrary, I recently wrote for a
forthcoming article,

“Smithson’s constructions Broken Circle/Spiral Hill on commercial gravel
yards in Emmen, The Netherlands, and his subsequent proposed designs for
abandoned strip mines and tailing ponds that have been promoted as acts of
‘reclamation’ do not repair local ecological systems but simply turn sites
of industry into platforms for works of art.”

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